'Strikingly original, utterly absorbing' Julia Boyd, author of Travellers in the Third Reich A Financial Times 'Book to Read in 2023' 1930s Europe - as the Roaring Twenties wind down and the world rumbles towards war, the great minds of the time have other concerns. Jean-Paul Sartre waits anxiously in a Parisian café for his first date with no-show Simone de Beauvoir. Marlene Dietrich slips from her loveless marriage into the dive bars of Berlin. Father and son Thomas and Klaus Mann clash over each other's homosexuality. And Vladimir Nabokov lovingly places a fresh-caught butterfly at the end of Verá's bed. Little do they all know, the book burning will soon begin. Love in a Time of Hate skilfully interweaves some of the greatest love stories of the 1930s with the darkening backdrop of fascism in Europe, in an irresistible journey into the past that brings history and its actors to vivid life.

1930s Europe - as the Roaring Twenties wind down and the world rumbles towards war, the great minds of the time have other concerns. Jean-Paul Sartre waits anxiously in a Parisian cafe for his first date with no-show Simone de Beauvoir. Marlene Dietrich slips from her loveless marriage into the dive bars of Berlin. Father and son Thomas and Klaus Mann clash over each other's homosexuality. And Vladimir Nabokov lovingly places a fresh-caught butterfly at the end of Vera's bed. Little do they all know, the book burning will soon begin. Love in a Time of Hate skilfully interweaves some of the greatest love stories of the 1930s with the darkening backdrop of fascism in Europe, in an irresistible journey into the past that brings history and its actors to vivid life.

A collection of unique, profound, and witty stories that relate animals’ peculiarities to human attitudes. Animals is a collection of short stories in which each story takes a peculiar item about animals that appears, like fables, to shine a spotlight on different aspects of human behavior—like caterpillars digging their own graves, sharks in need of artificial respiration, ducks that keep an eye out for hungry predators even in their sleep. It is a treat to watch Eva Menasse spin these observations into scenes of people battling their everyday anxieties and doubts. An old tyrant realizes that he is unable to prevent his wife’s worsening dementia from erasing his own past as it erases hers. A mother who tries to protect a Muslim child from hostile accusations finds that her own boundaries between good and evil begin to blur. A woman realizes how starkly her father’s traumatic past has shaped her quirky habits and deepest fears. Combining biting wit, mystery, and melancholy, these tales are the work of a masterful storyteller.

A fresh translation of the second volume of Max Frisch’s diaries. By the time Swiss author Max Frisch published the second volume of his diaries or sketchbooks, he had achieved international recognition as a writer and dramatist. In this volume, he develops his version of the literary diary as a mosaic of musings on architecture and writing, travelogue, autobiography, and political insight. He considers Cold War tensions as well as the civil rights and anti–Vietnam War movements in the United States. Now middle-aged himself, he looks squarely at men’s evolving attitude to life, love, sex, women, and status. And for all the idyllic descriptions of his new home in Berzona, Frisch becomes increasingly critical of his native Switzerland, in particular the crackdowns on left-wingers and protestors, and receives abuse for his stance. Based on the second German edition that reinstated material that had been removed from the original 1972 version, this fresh and definitive translation brings an important mid-twentieth-century European classic back to life.  

A unique and modern approach to money, wealth, greed, and financial ignorance presented via a story of a family in the Munich suburbs. The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there’s never enough of it in their family.   Every so often, their impish Great-Aunt Fé descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fé want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more?   In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians—the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger’s trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism.  

The international bestseller, translated from the German by Simon Pare. On a beautifully restored barge on the Seine, Jean Perdu runs a bookshop; or rather a 'literary apothecary', for this bookseller possesses a rare gift for sensing which books will soothe the troubled souls of his customers. The only person he is unable to cure, it seems, is himself. He has nursed a broken heart ever since the night, twenty-one years ago, when the love of his life fled Paris, leaving behind a handwritten letter that he has never dared read. His memories and his love have been gathering dust - until now. The arrival of an enigmatic new neighbour in his eccentric apartment building on Rue Montagnard inspires Jean to unlock his heart, unmoor the floating bookshop and set off for Provence, in search of the past and his beloved.

In The Atlas of an Anxious Man, Christoph Ransmayr offers a mesmerizing travel diary-a sprawling tale of earthly wonders seen by a wandering eye. This is an exquisite, lyrically told travel story. Translated by Simon Pare, this unique account follows Ransmayr across the globe: from the shadow of Java's volcanoes to the rapids of the Mekong and Danube Rivers, from the drift ice of the Arctic Circle to Himalayan passes, and on to the disenchanted islands of the South Pacific. Ransmayr begins again and again with, "I saw. . ." recounting to the reader the stories of continents, eras, and landscapes of the soul. Like maps, the episodes come together to become a book of the world-one that charts the life and death, happiness and fate of people bound up in images of breathtaking beauty. "One of the German language's most gifted young novelists."-Library Journal, on The Terrors of Ice and Darkness

A new translation of one of the earliest volumes of Max Frisch's innovative notebooks. Throughout his life, the great Swiss playwright and novelist Max Frisch (1911-1991) kept a series of diaries, or sketchbooks, as they came to be known in English. First published in English translation in the 1970s, these sketchbooks played a major role in establishing Frisch as, according to the New York Times, "the most innovative, varied and hard-to-categorize of all major contemporary authors." His diaries, said the Times, "read like novels and his best novels are written like diaries." Now Seagull Books presents the first unabridged English translation of Sketchbooks, 1946-1949 in a new translation by Simon Pare. This edition reinstates material omitted from the 1977 edition, including a screenplay for an unmade film. In this first volume, which covers the years 1946 to 1949, Frisch chronicles the intellectual and material situation in postwar Europe from the vantage point of a citizen of a neutral, German-speaking country. His notes on travels to the scarred cities of Germany, to Austria, France, Italy, Prague, Wroclaw, and Warsaw paint a complex and stimulating picture of a continent emerging from the rubble as new fault lines are drawn between East and West. As Frisch completes his final architectural projects and garners early success as a writer, he reflects on theater, language, and writing, and he sketches the outlines of plays, including The Fire Raisers and Count OEderland. Whatever experience he chronicles in the sketchbook-whether it's a Bastille Day party, an Italian fish market, or a tightrope display amid the ruins of Frankfurt or an afternoon by Lake Zurich with Bertolt Brecht, to take just a few examples-his keen dramatist's eye immerses the reader in the setting while also probing the deeper significance and motivations underlying the scene. This new translation will serve to draw out the immediacy and contemporary quality of Frisch's observations from the shadow of his status as a classic author, bringing his work to life for a new audience.

Now in paperback, the touching, timely story of an Iraqi refugee in Germany. In our era of mass migration, much of it driven by war and its aftermath, A Slap in the Face could not be more timely. It tells the story of Karim, an Iraqi refugee living in Germany whose right to asylum has been revoked in the wake of Saddam Hussein's defeat. But Hussein wasn't the only reason Karim left, and as Abbas Khider unfolds his story, we learn both the secret struggles he faced in his homeland and the battles with prejudice, distrust, poverty, and bureaucracy he has to endure in his attempts to make a new life in Germany. As he erupts in frustration at his caseworker and finally forces her to listen to his story, we get an account of a contemporary life upended by politics and violence, told with warmth and humor that, while surprising us, does nothing to lessen the outrages Karim describes.

In a publishing world that is all too full of realist novels written in undistinguished prose, discernible only by their covers, The Flying Mountain stands out if for no other reason than that it consists entirely of blank verse. And that form is most suitable for the epic voyage Christoph Ransmayr relates: The Flying Mountain tells the story of two brothers who leave the southwest coast of Ireland on an expedition to Transhimalaya, the land of Kham, and the mountains of eastern Tibet looking for an untamed, unnamed mountain that represents perhaps the last blank spot on the map. As they advance toward their goal, the brothers find their past, and their rivalry, inescapable, inflecting every encounter and decision as they are drawn farther and farther from the world they once knew. Only one of the brothers will return. Transformed by his loss, he starts life anew, attempting to understand the mystery of love, yet another quest that may prove impossible. The Flying Mountain is thrilling, surprising, and lyrical by turns; readers looking for something truly new will be rewarded for joining Ransmayr on this journey.

The story of the paradoxical relationship of two parents. As he clears out his parents' house, Philipp, a photographer, comes across an object that has played a major role in his parents' lives. Herta and Georg made a fine couple when they first met. Their son imagines the early days of their relationship and remembers how his father was forced to flee across the inner-German border to the West. When Herta and Philipp joined him a few days later, this could have signaled the start of a new era of happiness, but the seeds of their separation had already been sown. In gentle, probing prose, Gert Loschutz describes how Philipp gradually unravels the paradoxical nature of his parents' relationship: it was love that destroyed their love. To his astonishment, Philipp discovers that Herta and Georg had been in contact all those years in a way they kept secret even from one another.

The English debut of an idiosyncratic narrative voice. "What now?" wonders Asta, a nurse who has returned to Germany after a final assignment in Nicaragua. After over twenty years working for international aid organizations, her services are no longer needed. No one is waiting for her. She has nowhere to go. Even the language has lost its familiarity. She stands next to a revolving door at Munich airport, observing the other travelers as she smokes one duty-free cigarette after another. Some of these strangers resemble figures from her past, bringing memories of an adventurous life flooding back. Her catalog of tragicomic attempts at assistance in Germany, Nicaragua, India, Mongolia, and Tunisia raises questions about what it takes to help and whom we are really helping. Katja Lange-Muller's works have been critically acclaimed for their dark humor and affectionate, nuanced portrayals of characters wrestling with knotty situations and relationships. Revolving Door marks a fitting English debut of this most idiosyncratic of narrative voices.

Richly imagined and recounted in vivid prose of extraordinary beauty, this book is a stunning illustration of Ransmayr's talent for imbuing a captivating tale with intense metaphorical, indeed metaphysical force. The world's most powerful man, Qianlong, emperor of China, invites the famous eighteenth-century clockmaker Alister Cox to his court in Beijing. There, in the heart of the Forbidden City, the Englishman and his assistants are to build machines that mark the passing of time as a child or a condemned man might experience it and that capture the many shades of happiness, suffering, love, and loss that come with that passing. Mystified by the rituals of a rigidly hierarchical society dominated by an unimaginably wealthy, god-like ruler, Cox musters all his expertise and ingenuity to satisfy the emperor's desires. Finally, Qianlong, also known by the moniker Lord of Time, requests the construction of a clock capable of measuring eternity-a perpetuum mobile. Seizing this chance to realize a long-held dream and honor the memory of his late beloved daughter, yet conscious of the impossibility of his task, Cox sets to work. As the court is suspended in a never-ending summer, festering with evil gossip about the monster these foreigners are creating, the Englishmen wonder if they will ever escape from their gilded cage. More than a meeting of two men, one isolated by power, the other by grief, this is an exploration of mortality and a virtuoso demonstration that storytelling alone can truly conquer time.

The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there's never enough of it in their family. Every so often, their impish Great-Aunt Fe descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fe want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more? In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians-the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger's trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism.

In a publishing world that is all too full of realist novels written in undistinguished prose, discernible only by their covers, The Flying Mountain stands out—if for no other reason than that it consists entirely of blank verse. And that form is most suitable for the epic voyage Christoph Ransmayr relates: The Flying Mountain tells the story of two brothers who leave the southwest coast of Ireland on an expedition to Transhimalaya, the land of Kham, and the mountains of eastern Tibet—looking for an untamed, unnamed mountain that represents perhaps the last blank spot on the map. As they advance toward their goal, the brothers find their past, and their rivalry, inescapable, inflecting every encounter and decision as they are drawn farther and farther from the world they once knew. Only one of the brothers will return. Transformed by his loss, he starts life anew, attempting to understand the mystery of love, yet another quest that may prove impossible. The Flying Mountain is thrilling, surprising, and lyrical by turns; readers looking for something truly new will be rewarded for joining Ransmayr on this journey.

Richly imagined and recounted in vivid prose of extraordinary beauty, this book is a stunning illustration of Ransmayr's talent for imbuing a captivating tale with intense metaphorical, indeed metaphysical force. The world's most powerful man, Qianlong, emperor of China, invites the famous eighteenth-century clockmaker Alister Cox to his court in Beijing. There, in the heart of the Forbidden City, the Englishman and his assistants are to build machines that mark the passing of time as a child or a condemned man might experience it and that capture the many shades of happiness, suffering, love, and loss that come with that passing. Mystified by the rituals of a rigidly hierarchical society dominated by an unimaginably wealthy, god-like ruler, Cox musters all his expertise and ingenuity to satisfy the emperor's desires. Finally, Qianlong, also known by the moniker Lord of Time, requests the construction of a clock capable of measuring eternity-a perpetuum mobile. Seizing this chance to realize a long-held dream and honor the memory of his late beloved daughter, yet conscious of the impossibility of his task, Cox sets to work. As the court is suspended in a never-ending summer, festering with evil gossip about the monster these foreigners are creating, the Englishmen wonder if they will ever escape from their gilded cage. More than a meeting of two men, one isolated by power, the other by grief, this is an exploration of mortality and a virtuoso demonstration that storytelling alone can truly conquer time.

The Qur'an identifies Jesus as a sign of God, and he holds a place as one of the most important prophets in Islam. Looking at Jesus in Islam also reveals both deep differences from and rich connections to the view of Jesus in Christianity. In The Other Prophet, Mouhanad Khorchide and Klaus von Stosch explore and explain the position of the Qur'anic Jesus, with one scholar working from the Muslim and the other from the Christian theological perspective. Their combined research presents a history of Jesus' presence in the Qur'an and provides astute observations to deepen the understanding of both Christians and Muslims. Here we find that a common view of Jesus from the Muslim and Christian sides is not only possible, but also expands our understanding of Jesus and his message.

In the spring of 1945 the Allies arrested the physicists they believed had worked on the German nuclear programme during the war. Interned in an English country house, their conversations were secretly recorded. MI6's Operation Epsilon sought to determine how close Nazi Germany had come to building an atomic bomb. It was in this remote setting - Farm Hall, near Cambridge - that the German physicists first heard of the bombing ofHiroshima. August 6 1945 was a night that changed the course of history. The terrible weapon unleashed on Japan caused unprecedented destruction and loss of life. That the Allies had such a weapon at their disposal came as a great shock to the German scientists who had worked under the assumption that the Allies knew nothing of nuclear fission. This is the story of the wartime race to develop an atomic bomb, and the genius, guilt, complicity and hubris of Nobel Prize-winning scientists working to create a weapon that would undoubtedly have won the war for the Germans.

Now in paperback, the touching, timely story of an Iraqi refugee in Germany. In our era of mass migration, much of it driven by war and its aftermath, A Slap in the Face could not be more timely. It tells the story of Karim, an Iraqi refugee living in Germany whose right to asylum has been revoked in the wake of Saddam Hussein's defeat. But Hussein wasn't the only reason Karim left, and as Abbas Khider unfolds his story, we learn both the secret struggles he faced in his homeland and the battles with prejudice, distrust, poverty, and bureaucracy he has to endure in his attempts to make a new life in Germany. As he erupts in frustration at his caseworker and finally forces her to listen to his story, we get an account of a contemporary life upended by politics and violence, told with warmth and humor that, while surprising us, does nothing to lessen the outrages Karim describes.

Alex Capus follows every step of Robert Louis Stevenson's last years, studying every clue left behind by the Scottish writer and reaching his own conclusion about the most dramatic turn in Stevenson's life: his decision to settle in Samoa, where the climate was poison for his already diseased lungs. When he arrived there in 1889, neither Stevenson nor his family particularly liked the Pacific island and wanted to stay for only a few days. Yet soon afterwards he changed his mind and, intriguingly, spent what little remained of his savings on a plot of land and began living there on a meagre income. Before long Stevenson set about building an opulent villa and lived out the rest of his days in splendour. What had happened? Capus asserts that Stevenson not only wrote the world-famous novel "Treasure Island" here but searched for the treasure himself and furthermore found it towards the end of his life, on a little island he could see from the peak of the mountain in Samoa where he settled.

Summer 1918. The First World War is drawing to a close when Leon Le Gall, a French teenager from Cherbourg who has dropped out of school and left home, falls in love with Louise Janvier. Both are severely wounded by German artillery fire, are separated, and believe each other to be dead. Briefly reunited two decades later, the two lovers are torn apart again by Louise's refusal to destroy Leon's marriage and by the German invasion of France. In occupied Paris during the Second World War, where Leon struggles against the abhorrent tasks imposed upon him by the SS, and the wilds of Africa, where Louise confronts the hardships of her primitive environment, they battle the vicissitudes of history and the passage of time for the survival of their love.

DISCOVER THE TECHNO THRILLER THAT ROCKED THE INTERNET GENERATION A Guardian thriller of the month: 'Elsberg is nothing if not prescient' _______ ZERO, an anonymous activist, has given the world a warning: stop the tech giants before it's too late. But is anyone listening? Thousands of teenagers are signing up to Freemee, the biggest new social media site, uploading personal information in exchange for advice on what to eat, how to dress, even how to choose their friends. No-one questions what Freemee is doing with all that data. Until hundreds of users begin to take their lives. What will it take to bring down the Freemee mastermind, and who is up to the job? ________ 'Worryingly real' SUNDAY SPORT 'Elsberg is utterly prescient' GUARDIAN 'Sinister and realistic' GLAMOUR READERS ARE BLOWN AWAY BY THIS THRILLER: - On edge, intricate and fast paced. I approached it on recommendation and was blown away - Reads like an actual real life documentary. I wonder how close to the truth it is? Very is my guess. - If you are looking for an engrossing plot as well as plenty of food for thought than I can recommend you give Zero a try.

It’s the near future: the world economy is in freefall. Mass unemployment and hunger rage as banks, corporations and countries go bankrupt. But one group are doing just fine: the super-rich.

Nobel prize-winning economist Herbert Thompson drives to an emergency summit in Berlin, to deliver his ground-breaking solution to the world’s elite: a formula that will reverse the downturn, transform the economy, and give everyone a share of the wealth.

Thompson never arrives. He is killed in a car crash on the way.

Jan, a keen cyclist out late, sees the incident. Convinced Thompson has been murdered, he vows to find out why.

But there are powerful forces at work, who will stop at nothing to keep Jan silent.

How far will they go to satisfy their greed? And who can stop them?

A spine-chillingly realistic thriller on the horrors of freewheeling capitalism and the threat of human greed.